Dolora Zajick Explained
Dolora Zajick (born 24 March ) is an American mezzo-soprano opera singer who specializes in the Verdian repertoire. Zajick has been described as having "one of the greatest voices in the history of opera".[1]
Early life
Born in Salem, Oregon, but raised in Nevada, Zajick was a pre-med student at the University of Nevada, Reno and member of the Nevada Opera chorus, when her talent was first noticed. Zajick had taken a chorus class as an elective at UNR. She then studied voice with Ted Puffer, conductor of Nevada Opera, whom she credits with developing her vocal technique[2] and guiding her in career moves, especially early in her performing career.[3]
Zajick attended South Tahoe High School in South Lake Tahoe, California, and is a Wall of Honor Recipient. She graduated from the University of Nevada with a Bachelor's and a master's degree in music before going to New York for further music studies at the Manhattan School of Music. In she won the bronze medal at the 7th International Tchaikovsky Competition in Moscow, the only non-Soviet medalist that year and the first American musician to place in the contest in over twelve years. After this a
Opera Profile: Tang Xianzu&#;s &#;The Peony Pavilion&#;
Dolora Zajick is one of the famed Verdi mezzos of the late 20th and early 21st century.
Born on March 24, , Oregon, she actually started off as a pre-med student at the University of Nevada before switching over to voice. She wound up graduating from the University of Nevada with both a Bachelor’s and Master’s music. From there, she went to the Manhattan School of Music.
In , she won the Bronze Medal in the International Tchaikovsky Competition becoming the first American to place in the contest in 12 years. From there she was a member of the Merola Program and in , she made her debut at the San Francisco Opera in “Il Trovatore.”
In she made her Met Opera debut in the same opera and would go on to an international career.
She has a large recorded legacy on both CD and DVD. Anne Midget called her “one of the greatest voices in the history of opera” in an article for the New York Times.
In addition to her work as a singer, Zajick has become a prominent teacher of voice, specifically with the Institute for Young Dramatic Voices. She is also a composer, her first public work dating to August
Signature Roles
When it
Interview: Dolora Zajick of INSTITUTE FOR YOUNG DRAMATIC VOICES at University Of Nevada, Reno
American mezzo-soprano Dolora Zajick is one of the world's leading exponents of the dramatic Verdi repertoire. Her talent was first noticed when she was a pre-med student at the University of Nevada in Reno. Some years after that, she debuted with the San Francisco Opera as Azucena in IL TROVATORE, and it brought her international stardom. Decades later, she is best known for her interpretations of Amneris in AIDA, Eboli in DON CARLO, Ulrica in UN BALLO IN MASCHERA, Ježibaba in Dvo?ák's RUSALKA, and Adalgisa in Bellini's NORMA.
MN: I understand you have just finished singing the important role of the Mother in Francesco Cilea's L'ARLESIANA at the Deutsche Oper in Berlin. What is that opera about?
DZ: I sang the role of Mamma Rosa. She's a controlling Italian Mamma with two sons. One is developmentally delayed, and the other is unstable. She favors Federico, the unstable one, who sings the famous tenor aria, "E la solita storia del pastore" often called "Federico's Lament," in Act I. He falls
Dolora Zajick
Summary
Celebrated as a "force of nature" by Variety, Dolora Zajick has garnered international acclaim for embodying a rare vocal type – the dramatic Verdi mezzo-soprano – known for conquering the composer's most intricate mezzo-soprano roles. Possessing an expressive vocal range, flawless technique, and the capacity to convey the deepest character nuances, Dolora has left an indelible mark with her interpretations of iconic roles like Azucena in Il Trovatore, Amneris in Aida, and Eboli in Don Carlo on the grandest stages worldwide. Her performances have been guided by esteemed conductors of our time, including James Levine, Anthony Pappano, Bruno Bartoletti, James Conlon, Daniele Gatti, Valery Gergiev, Lorin Maazel, Charles Mackerras, Zubin Mehta, Riccardo Muti, Michael Tilson Thomas, and Mstislav Rostropovich.
Artistry and achievements
Dolora Zajick has recently announced her retirement from the opera scene, culminating her extraordinary journey. Her final performances in graced the Metropolitan Opera in New York, a venue intimately connected to her triumphs, marking her debut as Azucena in Il Trovatore in Throughout her career, Dolora conquered n
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