Milena canonero biography of christopher

Milena Canonero

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Biografia di Milena Canonero

Milena Canonero nasce a Torino e studia arte e storia della moda a Genova e poi costume e storia dell'arte a Parigi e a Londra. È proprio nella capitale inglese che poi si trasferisce, lasciando l'Italia. Qui comincia a lavorare per piccoli teatri e per alcune produzioni cinematografiche.
La sua carriera comincia con un'incredibile collaborazione, che la vede a fianco di Stanley Kubrick, per il film Arancia meccanica (A Clockwork Orange - ). Il grande regista inglese le conferma, poi, la fiducia per altri due capolavori quali Barry Lyndon (), che le vale il suo primo Oscar insieme a Ulla-Britt Søderlund, e Shining ().

Nel collabora con Hugh Hudson per Momenti di gloria, che le porta subito la seconda statuetta dorata. Altre nomination le riceve grazie a La mia Africa () di Sydney Pollack, Il padrino: Parte terza e Cotton Club ( - BAFTA Award per i migliori costumi) entrambi di Francis Ford Coppola.

La sua carriera procede parallelamente anche nel teatro lirico, lavorando soprattutto con Otto Schenk, insieme al quale realizza, nel , Il Trittico di Giacomo Puccini, al Vienna State Opera, nel , Die Fledermaus

Vincitrice di quattro Oscar, ha collaborato con i più grandi registi

Cosa hanno in comune film come Arancia Meccanica, La mia Africa, Marie Antoinette e Grand Budapest Hotel? Senza dubbio si tratta di pellicole entrate (più o meno di recente) di diritto nella storia del cinema; quattro film di grande successo, che probabilmente molti di voi avranno visto e amato. Il filo conduttore tra questi iconici film ha un nome: Milena Canonero.

La pluripremiata costumista italiana, adottata dagli Stati Uniti, ha contribuito, grazie a un uso sofisticato e al tempo stesso pop, dei costumi cinematografici, a rendere indimenticabili i protagonisti di moltissimi film. Basti pensare che personaggi cult come Alex DeLarge, Barry Lyndon e Jack Torrance non sarebbero stati gli stessi senza la fortunata collaborazione tra Stanley Kubrick e Milena Canonero.

Un percorso professionale incredibile quello della costumista italiana, costellato da grandi successi: nove nomination agli Oscar, quattro statuette vinte, sette candidature e tre vittorie per i BAFTA awards (che per chi non lo sapesse sono gli equivalenti britannici degli Oscar), un David di Donatello, tre Nastri d’Argento e il rece

Milena Canonero grew up in Genoa. She studied design and costume in Genoa before moving to England to finish her studies. Milena's film career started with Stanley Kubrick, designing the costumes for three of his films: Clockwork Orange (), Barry Lyndon (), winning her first of her four academy awards, and The Shining (). Milena has worked with Alan Parker, Midnight Express (), Hugh Hudson, Chariots of Fire () her second Oscar. Francis F. Coppola, Cotton Club (), Godfather III (), Sydney Pollock, Out of Africa (), Louis Malle, Damage (), Warren Beatty, Dick Tracy () and Bulworth () Julie Taymor, Titus () Roman Polanski, Carnage (), and the legendary director, Manoel De Oliveira, Belle Toujours (), Sofia Coppola, Marie Antoinette () brought her third Oscar. She has also production designed Barbet Schroeder's Single White Female () and Leonardo Guerra Seragnoli's Last Summer and designed costumes for opera productions at La Scala, The Vienna opera House, The Metropolitan Opera and the Garnier Opera de Paris. She was also a producer on Romeo and Juliet (). Canonero has collaborated with Wes Anderson on The Life Aquatic with Steve Zissou (), The Darjeeling Limited

Kubrick: Designing Worlds

Over the span of fifty years, the film-director Stanley Kubrick created films that defied genres, shocked the public, and challenged conceptions of what cinema might be. Renowned for his meticulous attention to detail, Kubrick worked closely with many designers throughout his career to construct a series of unique cinematic worlds, from the brutalist dystopia of A Clockwork Orange to the futuristic space-station of A Space Odyssey.

This two-day symposium will explore the legacy of Stanley Kubrick’s films and their impact on design. Drawing on the Stanley Kubrick exhibition at the Design Museum and the Stanley Kubrick Archive held at the Archives and Special Collections Centre, UAL, this symposium aims to illuminate discussions around the practices that underpin film production, extending the range of engaged disciplines beyond the screen such as costume design and documentary film-making.

Participants will also have access to the Design Museum’s current exhibition Stanley Kubrick: The Exhibition as a part of the symposium.


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