Miracle of Mont Saint-Michel (Around )
Jaume Huguet was a Catalan painter.
Originally from Valls, he moved to Tarragona to stay with his uncle Pere Huguet, who was also a painter. When they moved to Barcelona he was exposed to modern trends of the time. Between and he worked in Zaragoza and later in Tarragona, where he was influenced by the Flemish style of Luis Dalmau.
A retablo from Huguet is in the Monastery of Pedralbes, while another, depicting the Adoration of the Magi (or Epiphany) is housed in the Chapel of St. Agatha in Barcelona's Palau Reial Major.
A number of works by Huguet, including The Consecration of Saint Augustine, are held in the collection of the Museu Nacional d'Art de Catalunya in Barcelona, Spain.
Jaume Huguet was born about in Valls and orphaned in His father, Antoni Huguet, appointed in his will that Jaume and his brother, also named Antoni, were to be under the guardianship of Pere Huguet, the boys' uncle, and Pere Padrol. Pere Huguet was a painter and became Jaume's tutor. Jaume's beginnings by his uncle's side most likely took place at Mateu Ortenada's workshop. Following an apprenticeship, he would have completed his training at the workshi
Les dècades finals de la carrera
Seguint amb el retaule de Sant Agustí, podem afirmar que es tracta d'una de les obres en què la intervenció del taller supera la del mestre, i on es fa palesa la intervenció de la família Vergós.
La família Vergós i pintors originaris de Girona que entraren al taller, van enriquir la complexitat del taller. Cal recordar que es tracta d'un període de crisi i de guerres, la qual cosa agreuja les adversitats econòmiques de la clientela barcelonina, per tant, el preu només es podia rebaixar si era possible disminuir el nivell d'exigència, amb la qual cosa es creaven obres més simples i més esquemàtiques, comportant també menys innovació i més repeticions.
Així doncs, dins d'aquest línia trobem el retaule de Sant Bernardí i l'Àngel Custodi (), per a la catedral de Barcelona i encarregat pels esparters i pels vidriers. D'aquesta obra destaca l'expressió de severitat de la figura del sant predicador i el tema en què l'&ag
Jaume Huguet
(Valls, España, hacia - Barcelona, ) Pintor catalán. Apenas existe documentación acerca de los inicios de este pintor del siglo XV, figura cumbre de la pintura gótica catalana. La hipótesis más extendida sitúa los años de formación de Huguet y los inicios de su carrera, al menos parcialmente, en Aragón. Se ha llegado a esta conjetura a raíz de la atribución al pintor de algunas obras de origen aragonés, entre ellas el Retablo de Cervera de Cañada y el magnífico San Jorge del Museo de Arte Nacional de Cataluña.
Detalle de La consagración de San Agustín (c. ), de Jaume Huguet
Ya en estas primeras realizaciones se advierten algunos rasgos estilísticos que caracterizan toda su trayectoria. El más evidente es su predilección por las figuras, que plasma con estilización, elegancia y refinamiento, en detrimento de la composición y del estudio espacial.
Por otra parte, la obra de Huguet resulta singular por la simbiosis entre el naturalismo del Quattrocento italiano y el preciosismo de la pintura flamenca y del norte de Europa. Este último rasgo se acentúa tras su establecimiento en Barcelona hacia , donde abrió un floreciente taller de pintura q
Jaume Huguet
THE LAST SUPPER
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Jaume Huguet was a Spanish painter. He painted many religious pictures such as the one shown here. In this painting, does it seem that Jesus is looking at you? You will notice that the artist makes his clothing darker than the clothing of the disciples around him. This calls your attention to him as the centerpiece of the painting.
The man dipping his hand in the dish is Judas Iscariot. All the others are drawn with a halo around their heads, Judas is not shown with one because he is about to betray Jesus.
The picture was painted on wood, probably around
Huguet lived in Barcelona, Spain. The painting of The Last Supper hangs in a museum in Barcelona.
The story of the Last Supper can be found in the Bible in Matthew ; Mark
This biography was written by Patsy Stevens, a retired teacher.
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