George seferis poem details on cyprus

The Light of the Cypriot Sun in the Poetry of George Seferis, EOS 98/2, ,

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Teucer: . . . in sea-girt Cyprus, where it was decreed
by Apollow that I should live, giving the city
the name of Salamis in memory of my island home.
. . . . . . . . . .
Helen: I never went to Troy; it was a phantom.
. . . . . . . . . .
Servant: What? You mean it was only for a cloud
that we struggled so much?

— Euripides, Helen

‘The nightingales won’t let you sleep in Platres.’

Shy nightingale, in the breathing of the leaves,

you who bestow the forest’s musical coolness

on the sundered bodies, on the souls

of those who know they will not return.

Blind voice, you who grope in the darkness of memory

for footsteps and gestures — I wouldn’t dare say kisses —

and the bitter raving of the frenzied slave-woman.

‘The nightingales won’t let you sleep in Platres.’

Platres: where is Platres? And this island: who knows it?

I’ve lived my life hearing names I’ve never heard before:

new countries, new idiocies of men

or of the gods;

my fate, which wavers

between the last sword of some Ajax

and another Salamis,

brought me here, to this shore.

The moon

rose from the sea like Aphrodite,

covered the Archer’s stars, now mov

George Seferis and Homer&#;s Light

In his acceptance speech for the Nobel Prize, poet George Seferis commented upon a multi-faceted sense of connection that Homeric Greek offers to modern speakers of the language, saying:

When I read in Homer the simple words “φάος ἠελίοιο” &#; today I would say “φως του ηλίου” (the sunlight) &#; I experience a familiarity that stems from a collective soul rather than from an intellectual effort. It is a tone, one might say, whose harmonies reach quite far; it feels very different from anything a translation can give. For we do, after all, speak the same language &#; a language changed, if you insist, by an evolution of several thousand years, but despite everything faithful to itself &#; and the feeling for a language derives from emotions as much as from knowledge. This language shows the imprints of deeds and attitudes repeated throughout the ages down to our own. [1]

With the quotation of a brief formulaic phrase from Homer, Seferis manages to encapsulate one of his poetry’s primary aesthetic and political qualities—ancient literature, language, and the Greek physical environment as sources for modern poetic inspiration and Greek

SEFERIS – CYPRUS – ASIA MINOR: “memory hurts wherever you touch it”

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Giorgos Seferis, one of the most important Greek poets and a Nobel laureate, had a deep connection with Cyprus. During the three trips he made to Cyprus, in , and , he wrote some of his greatest poems, all of which were dedicated to the island of Cyprus. These poems express perfectly the island’s cultural wealth, history and identity while conveying the ideas and values of Cyprus, which remain timeless and relevant to the current time. In Seferis own words, Cyprus is the place where, miracles still happen. At the concert, seven symphonic poems will be performed from the collection &#;Κύπρον ου μ’ εθέσπισεν&#; which was published in December The composer of the songs is Giorgos Kalogirou.

On the centenary of the Asia Minor Catastrophe, Giorgos Seferis the poet from Smyrna, becomes the connection between Cyprus and Anatolia. Cyprus and Anatolia, are not only connected historically, culturally and aesthetically, but also through the emotions of their people, in both regions &#;memory hurts wherever you touch it&#;. Along with songs from Seferi’s “Τραγούδια καταστρώματος” poetry collec

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